Part I – Making Archaeology Public

PART I

Making Archaeology Public. A View from the Mediterranean, Eastern Europe and beyond.

Foreword

Editorial Board

ISSN: 2531-8810
Published online:  December 2021
ISBN: 978-1-78969-894-7

DOI: https://doi.org/10.32028/vol6isspp1

Paper, perception and… facts? Exploring archaeological heritage management in the Mediterranean and the weight of public archaeology

Jaime ALMANSA SÁNCHEZ

ISSN: 2531-8810
Published online: December 2021
ISBN: 978-1-78969-894-7
DOI: https://doi.org/10.32028/vol6isspp7-25

The Confederazione Italiana Archeologi (CIA) social media projects during the Covid-19 pandemic in Italy: changing the digital communication approach to the online community

Nicoló DONATI, Elisa GUSBERTI, Tommaso MAGLIARO & Alessandra RIVA

ISSN: 2531-8810
Published online: December 2021
ISBN: 978-1-78969-894-7
DOI: https://doi.org/10.32028/vol6isspp25-45

Public Archaeology in Greece: A Review of the Current State of the Field

Anastasia SAKELLARIADI

ISSN: 2531-8810
Published online: December 2021
ISBN: 978-1-78969-894-7
DOI: https://doi.org/10.32028/vol6isspp45-65

The unfamiliar past: The outreach of Palaeolithic archaeology in Greek archaeological museums

Paraskevi ELEFANTI

ISSN: 2531-8810
Published online: December  2021
ISBN: 978-1-78969-894-7
DOI: https://doi.org/10.32028/vol6isspp65-85

Quito’s archaeological heritage protection: The “Delimitación de Áreas Arqueológicas del Bloque Quito” project as a case of study

Carlos MONTALVO, Andres MOSQUERA, Eric DYRDAHL, Valeria RIVERA, Santiago SOLINES, Maria Gracia RIOFRIO & Gabriela GRANJA

ISSN: 2531-8810
Published online: December 2021
ISBN: 978-1-78969-894-7
DOI: https://doi.org/10.32028/vol6isspp65-85

An Attempt in Shifting Commodified Archaeological Practices in Taiwan through Community Engagement

WANG Bo-Chiao 王柏喬, CHUNG Kuo-Feng 鍾國風 & Nicolas ZORZIN

ISSN: 2531-8810
Published online: December 2021
ISBN: 978-1-78969-894-7
DOI: https://doi.org/10.32028/vol6isspp103-125

 

Cover image “Something About Public Archaeology” courtesy of ©Agostino Sotgia (2021)

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